Cycloid Drawing Machine

 2016-03-21 11:31:18

Birbirine bağlı çarkların, çeşitli kombinasyonlar yapılarak döndürülmesi ile geometrik şekiller ortaya çıkaran mekanizma.

Neye yarar?

90’lı yıllarda kendi elimizle çizdiğimiz ve muhteşem şekiller ortaya çıkaran plastikler, bu kez sadece çarkları çevirerek Cycloid Drawing Machine ile artık kendiliğinden ortaya çıkıyor. Ahşaptan yapılan mekanizmaya ekleyeceğiniz veya çıkaracağınız çarklar sayesinde birçok farklı şekil elde etmek mümkün.

Nereden bulurum?

Cycloid Drawing Machine’in tüm parçaları, mekanizması ve dahası ile ilgili detaylı bilgiye buradan ulaşabilirsiniz.

Devices like the AxiDraw use pens to create drawings or write on paper. Controlled by computer software, they precisely follow vector-based paths to produce complex designs, handwritten-like text, or detailed art. These machines are popular among: Digital artists for intricate designs. Calligraphers for automated handwriting. Educators and hobbyists experimenting with digital fabrication.

Pen Plotters

إيف كلاين (1928-1962) هو فنان فرنسي بارز، اشتهر بابتكار لون أزرق خاص سُمّي "أزرق إيف كلاين" (IKB) الذي استخدمه للتعبير عن الروحانية واللامحدودية. ركزت أعماله على التجريد واللون الواحد، حيث قدّم لوحات أحادية اللون وأداءات فنية مبتكرة استخدم فيها أجساداً كفرشاة ليطبع بها اللون الأزرق على اللوحات.

قام بأعمال تجريبية أخرى مثل "لوحات النار" وتجهيز معارض فارغة للتعبير عن الفراغ. رغم وفاته المبكرة في سن 34، إلا أن تأثيره امتد إلى الفن المفاهيمي وفن الأداء، مما يجعله رمزاً مؤثراً في الفن الحديث.

Sanatçı Anne Truitt, 1974'te, elli üç yaşındayken, Whitney Müzesi ve Corcoran Sanat Galerisi'ndeki çalışmalarının retrospektifleri onda "çıldırmış" hissi uyandırdıktan sonra günlük tutmaya başladı, şöyle yazdı: "Çin'in minik çatlaklarla çılgına dönmesi gibi" .” Heykellerini yeniden görünce -hepsi bir arada, halkın gözü önünde- onların içinde barındırmaya çalıştığı "duyguların yeniden canlanmasıyla" karşı karşıya kaldı. Günlük tutmak, anne ve eve ekmek getiren rollerinin yanı sıra sanatçı kimliğini de bütünleştirmenin bir yolu haline geldi; 1971'de gazeteci James Truitt'ten boşandıktan sonra, üç çocuğunun mali sorumluluğunu üstlendi. Journalling aynı zamanda onu geliştirmesine de izin verdi

Anne Truitt

فرانك ستيلا 

فرانك ستيلا (مواليد 12 مايو 1936) هو فنان أمريكي شهير يُعد من أبرز رواد التجريد الهندسي في الفن الحديث. بدأ مسيرته الفنية في نيويورك بعد دراسته في جامعة برينستون. اشتهر بسلسلة التي تميزت بالأشكال الهندسية البسيطة والألوان الموحدة، ثم تبعها بسلسلة التي استخدمت الأقواس والألوان المتداخلة

استمر ستيلا في تطوير أسلوبه ليشمل الأبعاد الثلاثية والمواد غير التقليدية مثل الفولاذ أعماله موجودة في متاحف كبرى مثل متحف الفن الحديث في نيويورك، وله تأثير كبير على الفن المعاصر.



Frank Stella (doğum 12 Mayıs 1936), modern sanatın önde gelen soyut geometrik sanatçılarından biridir. Sanat kariyerine Princeton Üniversitesi'ndeki eğitimini tamamladıktan sonra New York'ta başlamıştır. **"Black Paintings"** serisi, basit geometrik şekiller ve tek renkli yüzeylerle tanınırken, ardından **"Protractor"** serisi, yaylar ve iç içe geçmiş renklerle dikkat çekmiştir.

Stella, tarzını üç boyutlu formlar ve geleneksel olmayan malzemelerle (çelik gibi) geliştirmeye devam etmiştir. Eserleri, New York'taki Modern Sanat Müzesi gibi büyük müzelerde yer almakta ve çağdaş sanat üzerinde büyük bir etkiye sahiptir.

Hesse's early works, during the 1960s, were influenced by the minimalist art movement, which emphasized geometric forms and industrial materials. However, Hesse began to diverge from minimalist tendencies by introducing organic and personal elements into her sculptures. She was deeply influenced by her experiences with depression, the trauma of fleeing Nazi Germany, and her struggles with illness, which she later translated into her art.

Sol LeWitt

the name of the artsit

1. Conceptual Foundation Over Physical Creation

• LeWitt viewed the idea behind the artwork as the most vital element, which means the concept was the “life” force of the work, not the artist’s touch. His famous statement, "The idea becomes a machine that makes the art," captures this philosophy. By focusing on the concept, he liberated his art from the confines of his personal hand, allowing his works to be recreated and reimagined over time by others.

2. Delegation and Collaboration

• LeWitt often delegated the execution of his wall drawings to others, providing them with detailed instructions or diagrams. This process made each artwork a unique collaboration between the artist’s vision and the interpreters' hands. In this way, his art could “live” beyond him, as it didn’t require his physical presence to be created or experienced.

3. Dynamic, Reproducible Works

• His instructions for his wall drawings acted as a blueprint, meaning each piece could be recreated in different locations, adapting to new spaces and giving each iteration a fresh life. These artworks could be reinstalled, altered in scale, or even changed slightly based on the interpreter's execution, making each version a unique, living version of the original concept.

4. Focus on Time and Space

• LeWitt’s work embraced the space it occupied, integrating art with architecture. By working directly on gallery walls, his wall drawings became part of the structure, living within the physical environment until they were painted over or removed. This gave each piece a temporal life, allowing the artwork to exist in the moment and space uniquely.

5. Inspiring a Minimalist Lifestyle Movement

• Beyond art, LeWitt’s dedication to minimalism — reducing art to its essence — paralleled and encouraged the minimalist lifestyle movement, which values simplicity, intentionality, and mindfulness. By stripping art down to its bare elements, LeWitt’s work inspired others to live more meaningfully with less, influencing design, architecture, and daily living.

LeWitt’s artwork continues to live and evolve as new generations interpret and recreate his pieces. His contribution to minimalism remains vibrant as his concepts still inspire and adapt to contemporary spaces and ideas.

Sol LeWitt's style can be summarized as conceptual, minimalist, and highly systematic. His work prioritizes ideas over aesthetics, geometric simplicity, repetition, and instruction-based processes. LeWitt revolutionized the way we think about authorship, creation, and the role of the viewer in the art experience